|
Stay in touch!
Search with
Archives
June 2010
May 2010 April 2010 February 2010 January 2010 December 2009 October 2009 September 2009 August 2009 July 2009 June 2009 May 2009 April 2009 March 2009 February 2009 January 2009 December 2008 November 2008 October 2008 September 2008 August 2008 July 2008 June 2008 May 2008 April 2008 March 2008 February 2008 January 2008 December 2007 November 2007 October 2007 September 2007 August 2007 July 2007 June 2007 May 2007 April 2007 March 2007 February 2007 January 2007 December 2006 November 2006 October 2006 September 2006 August 2006 July 2006 June 2006 May 2006 April 2006 March 2006 February 2006 January 2006 December 2005 November 2005 October 2005 September 2005 August 2005 July 2005 June 2005 May 2005 April 2005 March 2005 February 2005 January 2005 December 2004 November 2004 October 2004 September 2004 August 2004 July 2004 June 2004 May 2004 April 2004 March 2004 February 2004 January 2004 December 2003
Recent Entries
Never a truer word spoken ...
16 Answers from an Entrepreneur and Freelancer A good digital music strategy? You bet! May update Breaking an act ... Things Indies can learn from Idol ... The Melbourne Storm fiasco cont ... The Melbourne Storm fiasco How to make a viny record - from 1956 It's better to reliquish control; Kulash gets it. Why doesn't EMI? |
October 8, 2007Vital SignsThis song came to me in two separate parts. The chorus woke me up about 2am one morning while I was enjoying a cuddle with my beloved wife and I starting thinking about how lucky I am to be in that position and how fragile relationships can be. The music came to me while I was practicing an arpeggiation pattern and moving it around different chord combinations as simply as I could. The parts came together over a period of ... weeks, I guess. The rest pretty much wrote itself once I had the basic ideas down. The song debuted in my fRETfEST semi-final, October 2007, and seemed to go down well. Steve Dillon was there and said it was a good song and my best so far, so I thought I'd better post it ASAP and see what people think ... ??? You can listen to a stream here or download it (mp3, 5.4MB) here. I performed everything and it was recorded at QUT by Adam Howard and mixed, etc by me at home.
Will we be lovers this afternoon? Let me lay my head on your chest. I want to hear your vital signs. Will we find happiness together? Let me lay my head on your chest. I want to hear your vital signs. Moonlight shines on you Let me lay my head on your chest. I want to hear your vital signs. ***************************************** Here's a video of me performing it at SNQ Presents, Kitty O'Shea's, in May 2010: ***************************************** Please note: This song is APRA registered: Work ID GW35903985; ISWC T-060949628-7. You can copy, reproduce and distribute any part of these lyrics and chords for any non-commercial purpose as long as you acknowledge its source. I'm interested in your feedback, comments, suggestions. If you make something good out of it, let me know and I'll consider adding it to this site. If you perform it or broadcast it for any purpose, please let APRA know.
Comments
say Huge, I listened to this song. it has a nice intimate vibe to it. if you sing and just play guitar like this on live gigs, I'm sure lots of people will pay attention. Post a comment
|
Categories
Support independent music!
The Genre Benders: I am leaving! I am leaving! in original CD format or download from iTunes or listen on PayPlay.fm or Go to The Genre Benders' home page for more
merchandise - support Huge's bid to create new and interesting music in new and interesting ways with new and interesting people. Bun' Ber E Unplugged in original CD format or download from MP3tunes.com or Go to Bun' Ber E's home page for more Bun' Ber E's debut CD in original CD format or one track at a time or from or Read some reviews or Go to Bun' Ber E's home page for more |